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PUBLICATIONS
Waterfield,
C., and Talbot, R., (2007) Triangle's
Work In Times of War DVD ROM
Waterfield,
C., (2006) Through the Threshold Total
Theatre Explores, Reflections.
Waterfield,
C., (2005) Godiva rides to America The
Open Page Number 10
Waterfield, M., (2004) A
Suffolk Punch - out of the darkness - the stories which inspired
Looking for the Tallyman - introduction and preface by Carran Waterfield
Waterfield, C., and Waterfield M., (2000)
Looking for the Tallyman The
Open Page Number 4 March
Waterfield, C., (1999) Being a girl and running
home The Open Page Number
3 March
Waterfield, C., (1998) How
to die Standing - an interview with Eugenio Barba Total Theatre
Vol 10 No 3 Spring
Waterfield, C., (1996) In the Steps of the
Masters - the Odin Experience Total Theatre Vol 8 No 1 Spring 1996
Bare Essentials
Waterfield, C., (1993) Finding a Square Box
for a Triangle Arts Education October
Waterfield, C., (1993) An
Encounter with Odin Teatret - an alternative to a training school
Total Theatre Vol 5 No 3 Autumn
Waterfield, C., (1992) The
Twins and I Mailout Autumn
RESIDENTIAL WORKSHOPS/CONSULTANCY/LECTURES/PAPERS
Triangle Training Programme November 2007 - Course Leader
Triangle Training Programme February 2007 - Course Leader
Turning
the Tides - Presenter - National Drama - Sydney, Australia - September
2006
Many Players, Many Parts - Victoria Museum
- Melbourne, Australia - October 2006
Triangle Training Programme April/August 2006 - Course Leader
Visiting
Artist/consultant: The Glass house - Kindle Theatre 2006
Performance,
Learning and Heritage Advisory
Board Member
Youth Arts Award Adviser
Creative Partnerships Coventry Archives Project
Consultant
Triangle Training Programme February 2006 - Course Leader
Extending
Our Reach - IMTAL Global Conference - The Whissell and Williams
Training Camps - October 2005 - National Museum of Australia
Feminine
Theatre - Magdalena - The Articulate Practitioner July 2005 - Aberystwyth
University
Unlocking
the Stories - PALATINE - July 2005 - Museum of Science and Industry,
Manchester
What's
in it for us - PALATINE - May 2005 - Oxford Brookes University
Museum
Theatre Practice - IMTAL - Feb 2005
Mentor/consultant
- Kindle Theatre - 2005
Devising
Theatre - University of Birmingham Oct/Nov 2004
Devising
Theatre - University of Birmingham Feb/Mar 2004
Transit
Festival - Denmark - January 2004
Godiva
and White Riding - USA - 2004
Veiling
- Women, veils and mythology June 2003
The
Voice in performance - DeMontfort University Oct 2005 and guest
lecturer -
Performance
Artist in Residence - The Herbert - 2001 -2005
Artistic
Director - The Little Herberts - 2001 - 2005
Undercover
- Women and Sacrifice May 2003
Devising
Consultant - Belgrade/Snarling Beasties/Fountain
and The Shysters Theatre Companies
1997 - 2000
Devising
Consultant - Thin Line Theatre Co. 1997
Devising
Consultant - Snarling Beasties 1995-1997
Consultant
- Pathways Theatre Company 1995
Creating
with Artists - University fo Warwick - 1997
Performance
Artist in residence - University of Warwick 1995- 2000
Creating
as Artists - University of Warwick 1995
Devising
Theatre - Coventry University - 1995
Drama
Consultant - Finham Park School - 1995
Movement
consultancy - Leicester Haymarket - 1995
Devising
Theatre - The New York Summer School - 1994
The
Odin Experience - Coventry Belgrade - 1994
Intercultural
Project - Coventry Belgrade - 1994
Movement
Consultant - Nottingham Playhouse - 1993
Devising
Theatre - Straws, Leicester University - 1993
Movement
Consultant - Theatre of the Unemplyed 1989
Artistic
Director - Bare Essentials - 1989 - 1999
Drama
in Schools - a physical approach - Inset Coventry LEA - 1989-1993
Publications
referring to the work of Carran Waterfield/Triangle
contact
company for copies
Croall,
J., (1991) Finding their Voice Getting into Shape Bare Essentials
Youth Theatre National Association of Youth Theatres
Barnfather,
H., Forshaw, R. and O'Brien R, (2005) -European Insights - Whissell
and Williams - Spring Volume 9, No1
Gardner,
L., (1999) Mad, Bad and Dangerous to Know, The Guardian 31 July
Hale,
S., County Magazine - Triangular Triumphs - Simon Hale - February
1993
Hale,
S., (1994) A Mythical Voyage into the Human Soul Birmingham Post
- March 5
Ind,
J., (1992) Playing the courageous child in tackling tough adult
issues Birmingham Post September 9
Jackson,
J. (1993) Venue Managers....what the play's about Arts Management
Weekly 14 October
Johnson,
P., (2001) - Carran Waterfield's Millennophobia Project: time, space
and ritual theatre Drama Conference paper Lyon, France - Spring
Johnson,
P., (2004) - Who is the Tallyman? Identity, family history and quantum
mechanics in the work of Triangle Theatre - awaiting publication
Johnson,
P., (2007) - 'How to scare the audience and the curator: a new model
for museum theatre' - awaiting publication
Karafistan,
R., (2003) ÒThe spirits wouldn't let me be anything else..." Shamanic
dimensions within theatre practice today. New Theatre Quarterly,
Cambridge University Press, May.
Ledgard,
A., (1996) Mime in Schools report - Mime Action Group
McMullen,
M.,(2000) : Cruella DeVil played by Carran Waterfield - Coventry
Evening Telegraph feature article
Naish,
J., (2002) The Little Herberts - performance at the heart of the
Herbert Art Gallery and Museum - an evaluative document
Naish,
J., (2002) Dancing on the Wing of a Plane Paper presented Researching
Drama Conference, Exeter University.
Naish,
J., (2003) Dugout! The Little Herberts Total Theatre Volume 15 Issue
3 Autumn
Trowsdale,
J., (2002) Reconsidering the role of artists in initiall teacher
training - Research in Drama in Education Vol 7 No2 2002 (Carfax
Publishing)
Trowsdale,
J., (1997) Identity - Even if it is a fantasy: the work of Carran
Waterfield New Theatre Quarterly Volume 13 number 51 (Cambridge
University Press)
Trowsdale,
J., (1996) Harnessing the Potential of Artists in Education University
of Warwick.
Trowsdale,
J., (1996) The search for a new performance form: Carran Waterfield
Accounting for the logic of intuition University of Warwick
Trowsdale,
J., (1996) Artist in Education Total Theatre Vol 8 No 4 Winter
Wilkerson,
J., (1994) Guide to Mime in Education Case study Mime Action Group
Unpublished
articles referring to the work of Carran Waterfield/Triangle
contact
company for copies
Barnfather, H., (2005) An Evaluation of Museum
Theatre Training - unpublished
Barnsley, S., (2002) Can the active participation
of children in a drama process have a positive impact on their personal
development? Loughborough University - unpublished
Cassidy,
L., (2004) An insight into the Female Autobiographical Artist working
within a Therapeutic Framework. The work of Carran Waterfield and
Bobby Baker De Montfort University - unpublished
O'Brien,
R., (2005) A critical analysis of Museum Theatre Performance Training
- unpublished
O'Brien,
R., (2005) Blurring the Boundaries between Past and Present - an
analysis of ÒCoventry Kids in the BlitzÓ unpublished
Winteringham,
O., (2005) The Way of Refusal - Autodidacticism in the work of Carran
Waterfield - unpublished
DIRECTING: THEATRE
The Last Women - current
Chico Talks/The Pollard Trail - 2006
Don't Play Near the Water - 2006
War is Over - 2005
Beastly Beauties (Kindle Theatre) - 2004/05
The Singing Nun (Associate Director/collaborative artist)
-2003/05
Chico Talks - 2005 - collaborating artist/consultant director
Coventry Kids in the Blitz - 2004
Kings, Queens, Clowns and Gold - 2004
Sin Dex (The Little Herberts) - 2003/2004
7777 All Good Girlies Go To Heaven (Birmingham University) -
2004
The Whissell and Williams Home Front Training Camp (The Herbert
Art Gallery and Museum) - 2003
Veiling (Women's Project) - 2003
Dugout! (The Little Herberts) - 2002/2003
The Story of Red Hair (The Little Herberts) - 2001/2002
Millennophobia (Crescent Youth Theatre) 2000
The Kingdom of Nina and Frederick (Fountain Th. Co.) - 1998
Echoes and Omens (Bare Essentials Youth Theatre) - 1998
Candles in the Wind (Threshold Theatre) - 1997
Monsters (Bare Essentials Youth Theatre) - 1997
The Playing Ground (Coventry University) - 1996
The Chosen Path (Coventry University) - 1995
Vagrants (Bare Essentials Youth Theatre) - 1996
Olim (Bare Essentials Youth Theatre) - 1994
Dream Weavers (Bare Essentials Youth Theatre) - 1992
Sticks and Stones (Bare Essentials Youth Theatre) - 1990
The Land of Shapes (Bare Essentials Youth Theatre) - 1989
DIRECTING/PRODUCING: FILM
WAR IS OVER - 20 minutes (2006)
COVENTRY KIDS IN THE BLITZ - 35 minutes (2005)
THE WHISSELL AND WILLIAMS HOME FRONT TRAINING CAMP 26 Mins
(2004)
DUGOUT! 25 mins (2004)
TRIBUTE 56 mins (2002)
THE LITTLE HERBERTS - DUGOUT! 3 mins - trailer (2002)
GODIVA THE NAKED POLITICIAN 45 mins (2002)
FROM ARCHAEOLOGY TO ART 18 mins (2002)
JOURNEY WITH THE BARE ESSENTIALS 6 mins (2001)
PERFORMANCE
WORK
Chico Talks/The Pollard Trail (2006)
War is Over (2005) Collaboration Richard Talbot
Coventry Kids in the Blitz (2004) Collaboration Richard
Talbot
Godiva, the naked politician and White Riding - in parallel
performance (2004) Collaboration Nor Hall
Sin Dex (2004) Collaboration Richard Talbot
When the Bough Breaks (2004) Transit Festival, Denmark
The Whissell and Williams Home Front Training Camp (2003) Collaboration
Richard Talbot)
På genhør med Nina og Frederick UK and Denmark
(2003) Collaboration Richard Talbot
Undercover - the story of my work (2002)
The Singing Nun - a work in progress (2002) Collaboration Richard
Talbot
Lovers of the World Unite (2001/2002) Collaboration Richard
Talbot
Listen to the Ocean (2000/2001) Collaboration Richard Talbot
The Hundred and One Dalmatians (2000)
The Quiet Life of Nina and Frederick (1999) collaboration with
Richard Talbot
Looking for the Tallyman (1998) Collaboration with Richard Talbot
Directed by Ian Cameron
My Sister, My Angel (1997) - Dir Ian Cameron
Tales from the Scrapbook (1996) Dir Ian Cameron
Godiva (1995) - Dir Ian Cameron
Tributaries (1994) - Dir Ian Cameron
The Dig (1992) - Dir Ian Cameron
Married Blitz (1991) - Dir Ian Cameron
Omega and the Golden Water (1989) - Dir Nigel Stewart |
